Coronavirus and telejournalism

the different temporalities that go through the routines of Fantástico

Authors

  • MICHELE NEGRINI UFPEL
  • Silvana Copetti Dalmaso

DOI:

https://doi.org/10.31501/clogia.v16i1.14122

Abstract

This article aims to reflect on the different temporalities that started to coexist in the routines of the Fantástico TV Show, in the coverage of the coronavirus. We will focus, more specifically, on the transformations in the reference practices of telejournalism. From the theoretical-methodological view of the feeling structure (WILLIAMS, 1979), we conducted an exploratory and observational research (GIL, 2008) about two editions of Fantástico, one in April and another in May of 2020. In this news we look for visible markers of temporality in reportages about coronavirus.

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Author Biographies

MICHELE NEGRINI, UFPEL

Jornalista. Doutora em Comunicação pela Pontifícia Universidade Católica do RS. Realizou estágio pós-doutoral no programa de Pós-Graduação em Comunicação e Cultura Contemporâneas, da UFBA. É professora do curso de Jornalismo da Universidade Federal de Pelotas.

Silvana Copetti Dalmaso

Jornalista; mestre em Comunicação Midiática pela Universidade Federal de Santa maría; doutora em Comunicação e informação pela Universidade Federal do Rio Grande do Sul.

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Published

2025-12-11

How to Cite

NEGRINI, M., & Copetti Dalmaso, S. (2025). Coronavirus and telejournalism : the different temporalities that go through the routines of Fantástico. Comunicologia, 16(1). https://doi.org/10.31501/clogia.v16i1.14122

Issue

V. 16, N. 1, JAN./ABR., 2023

Section

Artigos Livres

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