Waly Salomão by Carlos Nader: a biography at the frontiers of the archives

Authors

DOI:

https://doi.org/10.31501/esf.v1i25.14019

Keywords:

Carlos Nader. Waly Salomão. Archive. Biography. Public-private.

Abstract

The article intends to analyze the film Pan-Cinema Permanente (2008), by Carlos Nader, based on the public-private dialectic. We note how the interplay between television and cinema images and intimate and homely images results in a unique biography of Waly Salomão. The article articulates this dialectic to the issue of borders in Salomão's poetics and suggests that this dynamic dialogues with the current reorganization of archives and their ways of narrating the self and the other.

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Author Biography

Gabriel Malinowski, Universidade Federal de Juiz de Fora (UFJF), Juiz de Fora, MG, Brasil

E-mail: gabrielmalinowski@gmail.com

 

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Published

2022-11-17

How to Cite

Malinowski, G. (2022). Waly Salomão by Carlos Nader: a biography at the frontiers of the archives . Esferas, 1(25), 275–292. https://doi.org/10.31501/esf.v1i25.14019

Issue

No. 25 (2022): Comunicação e estudos biográficos

Section

Comunicação e estudos biográficos

License

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